Last Witnesses book. Read reviews from the world's largest community for readers. Stunning stories about what it was like to be a Soviet child during /5(). What did it mean to grow up in the Soviet Union during the Second World War? In the late s, Svetlana Alexievich started interviewing people who had experienced war as children, the generation that survived and had to live with the trauma that would forever change the course of the Russian nation. With remarkable care and empathy, Alexievich gives voice to those whose stories are lost in 4/5(5). Last Witnesses: Unchildlike Stories Paperback – January 1, by Svetlana Alexievich (Author) › Visit Amazon's Svetlana Alexievich Page. Find all the books, read about the author, and more. See search results for this author. Svetlana Alexievich (Author) out Reviews:
Buy Last Witnesses: Unchildlike Stories by Svetlana Alexievich, Richard Pevear (Translator), Larissa Volokhonsky (Translator) online at Alibris. We have new and used copies available, in 2 editions - starting at $ Shop now. LAST WITNESSES: Unchildlike Stories by Svetlana Alexievich - $ FOR SALE! Selected as a Book of the Year by The Times and Last Witnesses: Unchildlike Stories by Svetlana Alexievich EUR 9,81 Sofort-Kaufen 5d 22h, EUR 16,31 Versand, Day Rücknahmen, eBay-Käuferschutz Verkäufer: bookmail ️ () %, Artikelstandort: Cardiff, Versand nach: Worldwide, Artikelnummer:
Svetlana Alexievich is a wonderful Nobel Prize winning author who wrote The Unwomanly Face of War about the role of women in the Russian war against the Nazis. Like that book, Last Witnesses is an oral history of the experiences of Russian children following the outbreak of war in June Last Witnesses: Unchildlike Stories. Svetlana Alexievich, translated from the Russian by Richard Pevear and Larissa Volokhonsky. Penguin Classics, pp. , £. In s Russia, war veterans were a. Last Witnesses, first published in Russian in and now expertly translated into English by Richard Pevear and Larissa Volokhonsky, was Alexievich’s second book. Like her first, The Unwomanly Face of War, it draws on a decade’s worth of interviews with those who endured the Second World War and eschews the traditional adult male perspective.
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